Photo by Els Slots.

Pergamon and its Multi-Layered Cultural Landscape shows remains of the Hellenistic Attalid, Roman, Byzantine and Ottoman empires.

Pergamon was built into the slopes of Kale Hill and developed into a full acropolis during the Hellenistic and Roman periods. The Anatolian Kybele Sanctuary represents the continual use of the site. The city eventually became the capital of the Roman province of Asia known for its Asclepieion healing centre.

Community Perspective: The site in and around the modern city of Bergama comprises 9 locations. Jarek has covered them all, and zooms in on the tumuli and the (inaccessible?) Kybele sanctuary. Others like Solivagant, Juha and Clyde have focused their review on the main component, the Acropolis. Nan has described getting there on public transport.

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Germany - 22-Aug-22 -

Pergamon by Nan

Pergamon is spread across multiple areas of the modern city of Bergama. The official locations given by the inscription are a bit misleading as the main components are grouped into the "city", while minor parts, e.g., the many tumuli each get their own.

In the city locations of note are:

  • Situated atop of the hill overlooking the town is the ancient Acropolis. As fortresses from antiquity go, this is stellar. Admittedly, signposting and trails were lacklustre, especially, if you descend from the hilltop.
  • On the foot of the hill is the Red Hall. The state of preservation or presentation is rather poor, but the dimensions of the temple from antiquity are stunning.
  • Personally, the best component I visited was the Asklepion. It's a bit off the central city, but had wonderful views of the acropolis and radiates a wonderful tranquillity.

The modern city itself is a sprawl. There are Ottoman roads and houses, but always mixed with modern concrete buildings. I am not sure; I would consider this part of the OUV as I have seen better Ottoman towns.

As pointed out by previous reviewers, a major component of the original site is now housed in another WHS. The Pergamon Altar is shown on the Museumsinsel in Berlin in the aptly named Pergamon Museum. They have been renovating the whole Museumsinsel for decades, but I think the museum is open for visitors. In Bergama, you will find a stele informing you that this is where the Pergamon Altar was excavated and should be located.

My personal view is that the Turkish consider themselves as successor state to the Ottoman Empire. The Ottomans agreed to have the altar excavated and transported to Germany, at least there is no big (legal) dispute or claim mentioned on wikipedia.

Last but not least, this is one of the infamous deferrals turned into an inscription. I don't think there can be any doubt that Pergamon belongs on the list. This is one of the great Greco-Roman sites. The main issue with the inscription as I see it is the sorry state of preservation and presentation as well as general boundary questions.

Getting There

The main otogari of Bergama is on the coastal highway, not in Bergama proper. From there, you would have to catch a connection to Bergama town (12km). Coming from Ayvalik (North) or Izmir (South) it's easier to catch a local bus (dolmus) that takes you to the city proper. In Izmir, these depart on the upper level of the otogari (outskirts of Izmir). In Ayvalik, they depart from the otogari on the coastal highway.

In Bergama, it's a bit tricky to figure out where the dolmus depart. Each company has their own parking lot. For Izmir, head to Metro Tourizm. But there may be more providers. They will drop you off at the Izmir otogari. And from there you have to figure out how to get to town proper.

Last but not least, I do not recommend hiking up to the Akropolis. There is no dedicated foot trail, you just walk along the road and the distances are great as you essentially walk around the whole site once. To catch the cable car, you have to turn right instead of following the car road (teleferik). It's a bit hidden and I missed it.

While You Are There

Both Izmir and Ayvalik are tentative sites. Izmir didn't impress me much. Turkey has better Greco Roman and Ottoman sites on its tentative list. In Ayvalik, I couldn't quite grasp the OUV, but didn't dive deep. It felt like the area would be worth exploring further.

The next WHS are Troy to the North and Ephesus to the South.


Malta - 03-Dec-21 -

Pergamon by Clyde

I visited this WHS in Spring 2021 focusing first on the many lacklustre tumuli and the Kybele Sanctuary in the 8 locations close to Bergama town, Islamsaray and Kapikaya leaving the multi-layered (Hellenistic, Roman, Byzantium and Ottoman periods) city last.

Before driving up the steep road all the way up to the Acropolis, the Asklepeion and Red Hall (you can also take the cable car up if you don't want to drive to the top), I took in the interesting Red Hall/Temple of the Egyption Gods. When I visited, there were no apparent restrictions due to the COVID pandemic so I gladly visited these sites too before heading uphill to the Acropolis. There are old rusty brown metal UNESCO signs at most locations and the usual Turkish UNESCO WHS sign next to the Acropolis entrance.

The name Pergamon or Bergama means fortified area. Philetairos existed as a powerful kingdom from 283 BC. It fell under the Roman domination pursuant to the will of Attalus III in 133 BC, and the city started to reshape under the influence of Christianity when the Roman Empire began to lose power and divided in two. In the 8th century BC, Pergamon was exposed to Arab invasions and in the early 14th century it joined the Menteshe Beylik. The city was included in the Ottoman territories by Orhan Gazi in 1345 and the Turkish period began. The ancient city of Pergamon stands out with its successful urban planning despite the topographic difficulties.

The urban plan of Pergamon is divided in two: the upper city and the lower city. The upper city's significant monuments include the richly decorated palaces of kings planned with peristyle, the Temple of Athena, colossal statues of Roman Emperors Trajan and Hadrian, the Temple of Trajan, and the most important library of the ancient world housing 200,000 books written on parchment invented by the people of Pergamon. The most remarkable work of the city's architectural program is the Pergamon Altar or Altar of Zeus, built as a result of the decisive victory of Pergamon against the Galatians and Seleucids in Magnesia (180 BC) during the time of Eumenes II. The reconstruction of the altar dedicated to Zeus and Athena can now be admired in the Pergamon Museum in Berlin's Museum Island WHS.

The Acropolis of Pergamon was a culture and art hub of the ancient age. To the west of the Acropolis, the Selinus River (modern Bergamaçay) flows through the city, while the Ketios river (modern Kestelçay) passes by to the east. The theatre with a capacity of 10,000 people, the mobile stage building, and the Temple of Dionysus are the most obvious highlights of this WHS. However, another less visible highlight is the high pressure water line from Mount Madra at an altitude of 900 metres, made up of 240,000 earth pipes covering a length of 45 kilometres, built in the Hellenistic period to supply water on top of the Pergamon fortress, which was an great architectural achievement of Pergamon.

Pliny described the lower city of Pergamon as "the most famous and magnificent city of Asia Minor". In the lower city, there were rather social structures such as the sanctuaries of Hera and Demeter, the largest known gymnasium in the Hellenistic world, the lower agora, houses and shops. The city expanded out of the city walls to the foothills and then to the Bakircay Plains due to its growing population during the time of Eumenes II. The sanctuaries of Kizilavlu (Basilica) and Asklepeion are mong the most important structures of this expansion.

All in all I think Pergamon deserves its place on the WH list more for its importance in history than for the actual remains left in situ.

Jarek Pokrzywnicki

Polska - 21-Dec-20 -

Pergamon by Jarek Pokrzywnicki

Site just visited (December, 2020), not an easy time to visit Turkey during covid-pandemic restrictions. As all other reviews are focused on main component and the most spectacular part of the heritage I will describe other places.

First of all - consider to spend some more time in Bergama (Pergamon). All the sites are scattered around the city. Also the main component - space around Acropolis / Asclepion and the lower (Ottoman) town (multi layered city) covers itself relatively big area. Even if all paid areas were closed due to coronavirus I spent almost full day exploring the area and wandering the streets of Ottoman town.

While describing I will use official names from our website.

Kybele Sanctuary at Kapikaya, located some 7 km north from central Bergama. On a basis of coordinates from our website the site is located on a rocky hill. It seems as there is no access from the main road (Kozak Bergama Yolu) – the rocks are too steep. Also no access from the side road to the left (fenced houses). I did not find any path leading to the site. There are no signposts nor guideposts in the area. As I had heavy rain I did not try to get closer. But at least all the area around the rocks is a buffer zone.

Ilyas Tepe Tumulus – located on the hill next to Acropolis. As in previous site there are no signposts / guideposts of the place in the area. I tried to reach it from the area near the dam but since it was still raining I quit. Again – area between the hills is located within a buffer zone.

Yigma Tepe Tumulus – the biggest of all tumuli in Pergamon, surrounded by modern houses in residential district of Bergama. Site also unmarked but at least thanks to its size is visible from certain distance. Looks a little bit neglected, treated as local garbage damp.

Ikili Tumuli – located near main road, looks totally neglected. Unmarked, treated as local car parking and place to leave rubbish. There are some stone structures in the middle showing excavations but overall the site is somehow depressing.

Tavsan Tepe Tumulus – located in the outskirts of the town, totally inaccessible as it surrounded by fenced, industrial areas. Plot is partly covered with olive trees and looks well preserved, maybe thanks to inaccessibility. Also unmarked but visible from the main road.

Pergamon: X Tepe Tumulus – another place that is simply left alone. Unmarked, treated locally as garbage dump, looks like normal hill, accessible, unfenced. Impressions are similar to those from Ikili Tumuli.

Pergamon: A Tepe Tumulus – looks like located on private property, fenced, there are also tables stating that the place is monitored by cameras (auto service station). Placed just opposite to Tavsan Tepe Tumulus (across the main road). It looks as pile of soil covered with olive bushes. As in other places there are no guideposts showing it is an UNESCO heritage area.

Pergamon: Maltepe Tumulus – state of preservation similar to other tumuli although this one has a partly destroyed table with description in Turkish / English. This one has an entrance (closed) to the interior, unfortunately, it is also treated as local garbage dump (even used furniture are there).

Main component – central Bergama, including Acropolis, Asclepion, area around Red Hall (Temple of Egyptian Gods). Unfortunately Acrolopolis, Asclepion and Red Hall were closed for a while (covid procedures) so I decided to focus on other places within UNESCO limits. Many Ottoman houses, narrow streets, different monuments but most of the area looks like shantytown. There are many destroyed houses, some are completely abandoned (Talatpasa, Islamsaray, Ulucami), main river (Selinos) is full of rubbish.

During my short Turkish trip I also saw Bursa – what a big difference in monument’s management. Those in Bursa are all recently restored, almost all of them are described, completety the opposite in Bergama. I guess that during inscription process they should also present a kind of Management Plan for the city. Whatever that was it does not exist in practice.

Practicalities: I stayed overnight at Serapion Hotel (Fatih, Atatürk Blv. No:109, 35700 Bergama) rather budget accommodation, located within a buffer zone close to X Tepe Tumulus. There are many other places to stay in the area - on the opposite there is an Ayvazali Hotel looks more modern. There are also several hostels/hotels in Ottoman Bergama area. Food, like in every Turkish town you can find everywhere, During pandemic period they mostly serve take away but it is not very strict.

Places on the photo, bottom left, than clockwise: Talatpasa (Ottoman district, close to Acropolis), A Tepe Tumulus, Ikili Tumuli, Talatpasa (Ottoman district, lower part, close to Red Hall).

Juha Sjoeblom

Finland - 24-Nov-19 -

Pergamon by Juha Sjoeblom

To be such a late inscription Pergamon is an impressive, diverse and large site. And hordes of tourists haven’t yet discovered it which makes it enjoyable site to visit. Compared to Pamukkale and Ephesus, which are surrounded by tourist villages, Pergamon is an authentic city that lives its own life. There were some tourist groups in the Acropolis but otherwise the sites were quite empty. I visited Pergamon on my exploring of four classical sites of Western Turkey on October 2019.

Getting from Izmir to the city of Bergama is quite easy. The only reasonable public transport option is bus. Mini buses depart every hour from the second floor of the main bus station. Note that only the mini buses go to the center of Bergama. The terminus of mini buses at Bergama is so called Soma Garage. Long distance buses stop only at the main bus station of Bergama which is located seven kilometers from the city center.

The World Heritage Site of Pergamon has ’Multi-Layered’ on its name. The different layers belong to the Hellenistic, Roman, Byzantium and Ottoman Periods. Although this site is diverse, the monumental Kale Hill with the Acropolis is a clear centrepiece. Kale Hill dominates the landscape of Bergama and it can be seen from kilometers away. Kale Hill is composed of two parts: the Acropolis on the summit, and the Lower City on the southern slope.

The setting of the Acropolis on a steep hill 200 meters above the city center is simply stunning and dramatic. It almost seems inaccessible. From the bus terminus is one kilometers walk uphill to the cable car station. It is also possible to take a taxi to the Acropolis but there are nice views from the cable car so I prefer that. You can roam around the Acropolis easily for two or three hours. There are two structures which get the majority of attention: Theatre and Trajaneum. I have seen numerous Greek and Roman theatres but the Theatre of Pergamon is special. It has a distinctive shape and it is the steepest theatre of ancient world. And its location with the city landscape of Bergama on the background makes it such a great sight. The Temple of Trajanus or Trajaneum is nowadays the best preserved building of the Acropolis. The white marble columns on the summit are only a small part of this complex. There is a huge vaulted supporting structure under the temple.

Some people know Pergamon only from the Pergamon Museum in Berlin where the Great Altar is the main attraction. Certainly the Great Altar in its original location near the theatre would make the Acropolis more impressive and complete, but it is nowadays a part of another WHS far away from its original location.

The Serapeion or ’Red Basilica’ is located comfortably just beside the bus terminus so it is easy to visit. So called Red Basilica (Kızıl Avlu in Turkish) is a part of former huge Serapis Temple complex or Serapeion. Archaeological findings prove that the temple was used to worship Egyptian gods, especially Serapis and Isis. Also the St. John Church, one of the ’Seven Churches’ of Early Christianity is believed to be in Red Basilica. On both sides of the main temple are rotundas or round towers, the other of which is nowadays a mosque. Red Basilica used to be encircled by 10 meters high Egyptian statues, the caryatids. Today there is a reconstructed caryatid on the south side of the main temple and it looks striking. Even though partly in ruins the walls of the Red Basilica are in good condition and I find it a very beautiful and impressive building.

After visiting the Red Basilica I walked three kilometers along the the Selinos River to the Asclepion. I recommend this route for having a better understanding of the Ottoman city and its winding streets. The Ottoman neighbourhood on the riverside is surprisingly nice at some places with colourful small houses on the hillside. Also noticeable are three beautiful Ottoman bridges. Still, the most famous bridge is the Pergamon Bridge which is one of the largest Roman bridges ever built. It is 200 meters wide. Basically all you can see are two arched openings on both ends, but it is a much bigger and more important structure than one would think. The whole Serapeion temple complex and the central blocks of Bergama are built on a huge platform which lies on top of Pergamon Bridge.

On my route I stopped at Roman period Amphitheatre and City Theatre that are located on the edge of the city. Only a small part of the curve of the Amphitheatre can be seen. The City Theatre is unexcavated pit in the middle of residential area. Beside the City Theatre is an access arch (Viran Kapı in Turkish) to the former one kilometer long covered road that connected the city of Pergamon to the Asclepion.

Asclepius Sanctuary or Asclepion is an ancient healing center which is devoted to the cult of Asclepius, the god of medicine. The stand out feature of Asclepion is the circular treatment building and the underground corridor, the cryptoporticus, that leads to the building. Also the theatre is in a very good condition with some nice details at the ends of the rows. I find Asclepion an interesting and complete little archaeological site. But after visiting the Acropolis it seem not that impressive. I had Asclepion almost for myself because I was maybe one of three visitors.

Just as the previous reviewer told I also had a problem with time. Half day was not enough to cover all the components. There is so much to see. I didn’t have time for Tumuli, Aqueduct and Kybele Sanctuary. As its name indicates, Pergamon is a large WHS with many cultural layers. There are clear highlights like the Acropolis, Red Basilica and Asclepion. In some other country or circumstances these could even be a WHS of their own. But some the nuances of this WHS are ’hidden’ and it needs a bit of searching to reveal all of its gems.


UK - 31-May-15 -

Pergamon by Solivagant

The remains of the ancient Greek city of Pergamon are famous both for their location – notably its Acropolis superbly situated on the top of a steep hill near the modern Turkish town of Bergama, and for the fact that the Pergamon Museum in Berlin holds the magnificent orginal Altar of Zeus removed from the site in 1871. However the inscription of “Pergamon and its Multi-layered Cultural Landscape” shows the site to be a bit more complicated than this!

In fact it consists of 9 locations - the major area which includes not only the Acropolis and the Askeplion healing centre situated a few kms apart but also Roman and Ottoman remains between and a Roman aqueduct to the north. A few kms further away is the Kybele Sanctuary - a rock cut shrine dating originally to pre Hellenistic times and then 7 scattered tumuli . All this was packaged together with its grandiose title. ICOMOS was not convinced and recommended deferral for a number of reasons but primarily to “Refocus the nomination on the Hellenistic and Roman periods to justify the value of the property as the Hellenistic capital of the Attalids and its subsequent inclusion in the Roman Empire which allowed Pergamon to extend its role as a cultural centre”. The WHC overruled ICOMOS on this one and the site was inscribed as nominated!

We too had a problem – just not enough time to cover all the locations! The Tumuli can be seen from the Acropolis and, we were told, have nothing on view to see anyway. It could have been interesting to follow up the Kybele Sanctuary – Cybele being thought to have “descended” from the Anatolian “Mother goddess” (possibly the very goddess represented in the famous figurine from Catalhoyuk we had seen in the Anatolian museum in Ankara?), reaching Greece and then Rome via Phrygia. But it was a few kms outside town and it wasn’t really clear what there was on show. Within the town area the most interesting aspect appeared to be the “Red Basilica” – a Byzantine Church (now partly a mosque) built within a 2nd C Roman temple to the Egyptian god Serapis. Bergama is one of the 7 Churches of Asia Minor mentioned in the Book of Revelation. “And to the angel of the church in Pergamos write; These things saith he which hath the sharp sword with two edges” etc etc (see Revelation 2:12 - 17!) It is, perhaps, worth mentioning that the “Church” referred to in Revelation would have been a “congregation” not specifically a “building” though such Christian church building as would have existed at the time would have been located here

For better or worse we decided to concentrate on the Acropolis, the Asceplion and only take a quick external look at the Red Basilica. (We picked up a bit on the Ottoman town during the previous evening and on our drives across town - it seemed pleasant enough but nothing “special”). It is worth mentioning that each of these has separate entry fees. So the Acropolis cost 25TL pp and the Asceplion 20. A visit to the former is going to need at least 2 hours and the latter another 2 taking into account getting to it. The Red Basilica will be passed as you descend from the Acropolis - I didn’t discover its entry fee. It is under significant reconstruction.

We had a car to drive up to the Acropolis but many will take the cable car at 12TL. It would be quite a long walk as the road circles the hill. Obligatory parking at the Acropolis and at the Asceplion will add another 5TL at each – though the latter could easily be avoided by parking a few hundred metres away. Both sites are firmly on the “Tourist Bus circuit” as Bergama is within easy day trip reach of Turkey’s Aegean resorts. Although the site opens at 8 am we didn’t enter until about 9.45 because of our hotel’s late breakfast hours (unfortunately as in most Turkish hotels!) but the groups were reasonably well spread out and not too much of a hassle. As with most Turkish sites the bilingual signboards were excellent as regards their English content and there was little extra to be gained from our 2 guide books and print downs from the UNESCO site. The site of the infamous “Altar of Zeus” is visibly a platform surrounded by a jumble of stones but quite small and diminished by the trees growing on it. I found it quite difficult to imagine the large 3 sided structure with its friezes, steps and columns I had seen in Berlin actually in situ (and, as the on-site models show, it was only a part of a larger total structure). The Theatre at Pergamon is something special – and we were getting a bit “theatred out” on this trip as every site we visited seemed to possess one. It is very steep and narrow with amazing views out to the countryside. The rest of the site contains the sorts of pillared structures you would expect in a Greco-Roman ruin – The Traianium is quite fine. The Roman aqueduct which extends the WHS some distance to the North is clearly visible from the site and is indeed quite a feat of engineering. Notably, the modern authorities haven’t been able to pipe enough water in to provide toilets within the site - perhaps they should learn something from the Romans!!

We then moved on the 2+kms to the Asceplion, passing the Red Basilica for a quick view. Among the interesting aspects that we did take in there were that the Romans built the original Serapion temple on a series of “tunnels” known as the “Pergamon Bridge” since, as they are not underground, they are in strict terms actually bridges and, at almost 200m wide, among the largest such ancient structures in the World. The road you will use still runs on the bridge to this day!

The Asceplion requires yet another entrance fee but I would regard a visit there as essential. Most people reading this are likely to visit these sites under their own steam but it might be worth mentioning for anyone thinking of taking a “tour” from the coast that not all tours to Bergama include the Asceplion (let alone the Red Basilica) and concentrate solely on the Akropolis - they have to fit in such things as lunch and souvenir shops (!) – so, if you are thinking of taking one of these, check what is included. The Asceplion is perhaps the world’s most famous ancient “medical centre” and the place at which Galen (131-210AD) practiced, developing both his knowledge of anatomy and his philosophy. I noted that his main job was to tend to the wounded Gladiators! I also rather liked the idea that it was approached by a long covered sacred way (whose base is still visible) - but, at the start, intending patients were interviewed by priests who determined whether or not they could “benefit” from the treatment on offer! No doubt they didn’t want too many dying on them! The most interesting parts to us were the sacred springs from which visitors were still taking water and the treatment/sleeping areas. The excellent signs describe the treatments on offer, which covered a whole range of psychological aspects (sounds of music and running water as well as praying and interpretation of dreams), through diet, bathing, blood letting, purging and (sometimes) surgery. All in all, an interesting site showing a different “take” on ancient life from the majority of ancient sites - though it does also still have a ruined theatre!

Site Info

Full Name
Pergamon and its Multi-Layered Cultural Landscape
Unesco ID
1 2 3 4 6
Archaeological site - Ancient Greece

Site History

2014 Advisory Body overruled

ICOMOS advised Deferral

2014 Inscribed


The site has 9 locations

Pergamon: Pergamon, the Multi-Layered City
Pergamon: Kybele Sanctuary at Kapikaya
Pergamon: Ilyas Tepe Tumulus
Pergamon: Yigma Tepe Tumulus
Pergamon: Ikili Tumuli
Pergamon: Tavsan Tepe Tumulus
Pergamon: X Tepe Tumulus
Pergamon: A Tepe Tumulus
Pergamon: Maltepe Tumulus


The site has

Art and Architecture
Human Activity
Individual People
Religion and Belief
Science and Technology
World Heritage Process


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4matcha A. Mehmet Haksever Adolfo Adrian Turtschi Alexander Barabanov Alexander Lehmann Alexandrcfif Alfons and Riki Verstraeten Ali Zingstra Alicemears Andrea Gormley Anja Anonymous15788 Anthonynice Argo Artur Anuszewski Aslak Atila Ege Aurora Petan Bergecn Bin Bob Parda Brigitte Huber Butterflybird Byronb Can SARICA Chalamphol Therakul Chris Lee Christian Wagner Christravelblog Chunsian01 Clyde Corinne Vail Criterion CugelVance Dan Dan Pettigrew Dani Cyr David Berlanda Dibro Dimitar Krastev Djpatten Donnico Doug Robertson EDC Einziger Elaine McArdle Els Slots Erdem Engin Tavlayan Eric Lurio Erik Jelinek Eva Kisgyorgy Fan Yibo Francky D'Hoop Frank Britton Garrett GerhardM Gisella Gonca Hadrianus Haining Guan Handballrama Harald T. Harry Mitsidis Hasco Iain Jackson Iriss Isa Kocher Ivan Rucek Izzet Ege JGirlJGirl Jan Korpeg Jarek Pokrzywnicki Jcendres2 Jeankedezeehond Jezza JoeriNortier John Smaranda Jonathanliao Jsalda Jsrinivasan Judith Tanner Juha Sjoeblom Junwang111 KB1 KarenBMoore Kbecq Kbtwhs Keith90245 Kelise Kelly Henry KentishTownRocks Kgeographer Kjdavis Kjlauer Knut Krijn Kurt Lauer Lichia Longdutch Ludvan Luis Filipe Gaspar Luke LOU MaYumin Malgorzata Kopczynska Martina Rúčková Mazeman Mdnichol Michael Ayers Michal Marciniak Mikal Ahmet MikeMa1999 Mikita M Milan Jirasek Monica Tasciotti Moreworld2c Nan NataliaS Nej153 Nihal Ege Nomad99 PabloNorte Pascal Cauliez Paul Schofield Philipp Leu Philipp Peterer Pink Bunny Q Rachel Perkins Randi Thomsen Reza Riomussafer Risson RobRos Roger Ourset Roman Bruehwiler SHIHE HUANG Sascha Grabow Sclowitz Solivagant Sophie Stanislaw Warwas Stefania Giudice Stetrab Super-Sophie Svein Elias Szucs Tamas Tammy Gouldstone Tarquinio_Superbo Thibault Magnien Thomas Buechler Thomas Harold Watson Thomas van der Walt Thorben TimAllen Timothy C Easton Tony0001 Topaas Triath Vernon Prieto Viaje al Patrimonio Vicente B. Avanzado Jr. Viv Volkanisb Werner Huber Wolfgang Hlousa WolfgangHl Worldstuwim Wtrentfox Xiong Wei Yevhen Ivanovych ZivaB Zoë Sheng