Chile

San Francisco Church and Convent

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  • Alejandro Lau
  • Allan Berry
  • Argo
  • Christravelblog
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San Francisco Church and Convent in Santiago, dating from 1622, are among the oldest colonial buildings in Chile. They were built by the Franciscan order. The cloisters shelter valuable works of art, including 42 paintings of the Cuzco school representing the life of Saint Francis. The building currently houses the Colonial Museum.

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Official Information
Full Name
San Francisco Church and Convent (ID: 1196)
Country
Chile
Status
On tentative list 1998 Site history
History of San Francisco Church and Convent
1998: Added to Tentative List
Added to tentative list
Criteria
Links
UNESCO
whc.unesco.org
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UNESCO.org

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First published: 16/02/19.

Allan Berry

San Francisco Church And Convent By Allan & Lucia

San Francisco Church and Convent (On tentative list)

San Francisco Church and Convent by Stanislaw Warwas

The Museo de Colonia de San Francisco is an externally unassuming building right in the heart of downtown Santiago. Its significance lies not in its design (there are no shortage of colonial buildings of its type throughout Latin America) but that it survived at all. It is the oldest building in Santiago, and one of only a handful from the 16th century in Chile to survive several hundred years of earthquakes and social conflict.

The building is the standard Spanish Colonial style, with a central courtyard filled with trees surrounded by white plastered arches supporting a wooden upper deck and terracotta tiles. Despite being in the heart of the city, its surprisingly peaceful. There's almost no traffic noise from the busy Av. Liberador Bernardo O’Higgins outside. If not for the occasional tower block poking out from above the roof, it is sufficiently quiet to forget you were in a city at all.

I arrived early in the day, and for a long time, I was the only person here, strolling peacefully in and out of the gallery rooms. The paintings, like the building, are in desperate need of restoration, stained and faded from decades of pollution. The paintings are striking, but much of it lacks context, and there's nothing to help a visitor gain a further understanding of the significance of the works. The building suffers as well. Peeling plasterwork, cracks in the walls, and decaying woodwork give the impression of a fading oasis, an unloved work of …

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