Spain
Altamira Cave
The Cave of Altamira and Paleolithic Cave Art of Northern Spain represent some of the earliest human art.
The 18 caves feature well-conserved drawings and polychrome rock paintings of wild mammals and human hands. They were made by the hunter-gatherers of the Upper Palaeolithic (35,000 – 11,000 BP). The rock art enables us to better understand aspects of the way of life and the beliefs of these early humans.
Community Perspective: Until 1977 the original Altamira Cave was still open (as Susan, Mark, Gavin and Lucy testify), nowadays only 5 people per week can get in (via an old waiting list, no lottery anymore). There is a replica that can be visited, plus other original caves within the set of 18 such as Tito Bustillo (Ian) and El Castillo (Els, Clyde).
Site Info
Official Information
- Full Name
- Cave of Altamira and Paleolithic Cave Art of Northern Spain (ID: 310)
- Country
- Spain
- Status
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Inscribed 1985
Site history
History of Altamira Cave
- 1985: Inscribed
- Inscribed
- 2008: Extended
- To include seventeen decorated caves of the Paleolithic age
- WHS Type
- Cultural
- Criteria
- i
- iii
Links
- UNESCO
- whc.unesco.org
All Links
UNESCO.org
- whc.unesco.org — whc.unesco.org/
Related Resources
- en.museodealtamira.mcu.es — Museo de Altamira
- nytimes.com — The splendid cave in Altamira suffers from its popularity (news archive 1983)
- en.wikipedia.org — Wiki on Altamira cave
News Article
- Dec. 13, 2023 labrujulaverde.com — Remains of a Paleolithic hut from 16,800 years ago discovered in La Garma Cave
- Feb. 23, 2018 bbc.com — Neanderthals were capable of making art (La Pasiega Cave)
- Jan. 16, 2016 theolivepress.es — Battle erupts over ‘elitist’ Altamira cave art plans
- Aug. 5, 2014 nytimes.com — Visitors back to the Cave of Altamira, Still Controversial
- Oct. 13, 2013 news.nationalgeographic.com — Handprints in ancient cave art (such as El Castillo) most often belonged to women
- June 16, 2012 timesofmalta.com — Claim for oldest paintings by Spain
- June 26, 2010 google.com — Spain to reopen Caves of Altamira despite warnings
- June 9, 2010 google.com — Spain to reopen Caves of Altamira despite warnings
Community Information
- Community Category
- Archaeological site: Civilizations of Sub-Saharan Africa
- Archaeological site: Rock Art
Travel Information
Bilbao hotspot
Recent Connections
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Perfect Inscriptions
1985 -
Depicted in Mizielinska Maps
Altamira CaveSee i.pinimg.com
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Strict no-photography policy inside
Also not allowed in the accessible caves
Connections of Altamira Cave
- Geography
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Bay of Biscay
Tito Bustillo, El Pindal.
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- Trivia
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On Euro coins
Spanish 2015 commemorative 2 Euro -
Depicted in Mizielinska Maps
Altamira CaveSee i.pinimg.com
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Google Doodles
September 24, 2018, Celebrating Altamira CaveSee www.google.com
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Replica cultural sites
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Dubbed as another WHS
Altamira "The Sistine Chapel of Quaternary Art"
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- History
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Aurignacian
Cave of El Castillo: The archaeological stratigraphy has been divided into around 19 layers, depending on the source they slightly deviate from each other, however the overall sequence is consistent, beginning in the early Aurignacian, around 44,100 years ago (wiki) -
Palaeolithic and Mesolithic
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"Cave Man" sites
Seventeen decorated caves of the Paleolithic age were inscribed as an extension to the Altamira Cave.......The property represents the apogee of Paleolithic cave art that developed across Europe, from the Urals to the Iberian Peninusula, from 35,000 to 11,000 BC
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- Ecology
- World Heritage Process
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Extended
2008: To include seventeen decorated caves of the Paleolithic age -
Perfect Inscriptions
1985
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- Human Activity
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Erotic art
Camarín de las vulvas in the cave of Tito Bustillo. -
Pictographs
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Hand Paintings or Hand Prints
At Monte Castillo
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- Timeline
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Late Pleistocene
"The artistic apogee, known as Magdalenian, corresponds to the end of the Ice Age, from 17,000 to 13,000 BP. This was the period of the major works in the decorated caves" (AB ev)
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- WHS Hotspots
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Bilbao hotspot
Bilbao hotspot
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- Science and Technology
- Visiting conditions
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Unusual Entry Requirements or Restrictions
Entrance to the main cave is restricted to 5 persons a week, selected via a lottery.See www.mecd.gob.es
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Strict no-photography policy inside
Also not allowed in the accessible caves -
Guided Tour Only
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News
- labrujulaverde.com 12/13/2023
- Remains of a Paleolithic hut from …
- bbc.com 02/23/2018
- Neanderthals were capable of makin…
- theolivepress.es 01/16/2016
- Battle erupts over ‘elitist’ Altam…
Recent Visitors
Visitors of Altamira Cave
- Adolfo
- Adrian Turtschi
- Aidan Coohill
- Alberto Rodriguez Gutierrez
- Alessandro Votta
- Alexander Barabanov
- Alexander Lehmann
- Alikander99
- A. Mehmet Haksever
- Ammon Watkins
- Ana Lozano
- Angela Vandyck
- Anna Wludarska
- Argo
- Aspasia
- Atila Ege
- awestix
- awkwardkeychanged
- BaziFettehenne
- Bill Maurmann
- Bin
- Birgitte Sørensen
- BMuramatsu
- Bram de Bruin
- Caspar Dechmann
- Catoplayer
- Chen Taotao
- CHJLondon
- Christian Wagner
- Christravelblog
- Cirene Moraes
- Claire Bradshaw
- Clyde
- Craig Harder
- Cristina Erba
- Csaba Nováczky
- Daniela Hohmann
- Daniel C-Hazard
- Dan Pettigrew
- David Berlanda
- Dimitar Krastev
- Dorejd
- DouglasR
- Eamon1183
- Echwel
- Elaine McArdle
- Els Slots
- Emilia
- Eric Lurio
- Erik Jelinek
- Eva Kisgyorgy
- Fabian Teusch
- fabi-ddorf
- Fan Yibo
- Farinelli
- Feldhase
- Femke Roos
- Filip Murlak
- fkarpfinger
- Geo
- GeorgeIng61
- Harry Mitsidis
- H Beswick
- Hubert
- Iain Jackson
- Ian Cade
- IgnacioM
- Inigo Cia
- Ivan Rucek
- Jakob Frenzel
- janis
- Jan-Willem
- Jarek Pokrzywnicki
- Jasam
- Javier Coro
- Jay T
- Jeankedezeehond
- Jean Lecaillon
- Jeanne OGrady
- Jens
- Jezza
- JLuth
- Joel on the Road
- john booth
- Jonas Hagung
- Jonas Kremer
- Jonas Martinsson
- Joyce van Soest
- Juha Sjoeblom
- KarenBMoore
- Kbecq
- Kelly Henry
- Ken DJ
- Kevin247
- krtek
- Krzysztof B
- Kurt Lauer
- Lara Adler
- Leontine Helleman
- Lisu Marian
- Loic Pedras
- Luboang
- Lucas Del Puppo
- Lucio Gorla
- Luis Filipe Gaspar
- luisfreire
- Maciej Gil
- Malgorzata Kopczynska
- Marty
- Mathijs
- Max Smits
- MH
- MichaelH
- Michael Novins
- michaelsballard
- Michiel Dekker
- Mikan22
- Mike
- Mikko
- Mikko Syrjä
- MMM
- monchan5396
- nan
- Nick Kuzmyak
- Nihal Ege
- Nykri
- PabloNorte
- Pablo Tierno
- Patrik
- Paul Schofield
- Peter Alleblas
- Petteri
- Philipp Peterer
- Piotr Wasil
- Randi Thomsen
- Robin Frank
- rogerding
- Roger Ourset
- Roman Bruehwiler
- Roman Koeln
- Roman Raab
- Ronald Lange
- Sandmann15
- Sergio Arjona
- Shandos Cleaver
- Simonf
- skalec
- Solivagant
- Stanislaw Warwas
- Stijn
- Svein Elias
- Szucs Tamas
- Tamara Ratz
- Tarquinio_Superbo
- Thibault Magnien
- Thomas Buechler
- Thomas van der Walt
- TimAllen
- Tom Flaten
- Tonisan
- Traveling Girl
- triath
- Truls Brekke
- Tsunami
- usagi1974
- Valentina
- Vanessa Buechler
- Viaje al Patrimonio
- Vlad Lesnikov
- voyager
- Werner Huber
- Wieland
- Wojciech Fedoruk
- Xiquinho Silva
- Zhenjun Liu
- Zoë Sheng
Community Reviews
Show full reviews
There is a lottery to get to see the real cave but we didn’t plan far enough in advance or wasn’t lucky enough to see it.
I have to say I was expecting to be disappointed by the replica cave but they did a pretty good job.
My only recommendation would be to skip the movie. Took too long and was uninteresting. I talked to the docent and they said it was possible.
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I visited Altamira as part of my mad dash across souther France and northern Spain in April 2018. I was intrigued by the opportunity, that Altamira museum has been practising for the past couple of years, to visit the original Altamira cave.
I stayed at nearby town Santillana del Mar, which in itself is very picturesque sight and boasts church Collegiale de Santa Juliana from 12th century which is part of the inscribed routes of Santiago de Compostela WHS.
In the morning I drove to the museum of Altamira (2 km away) at the opening time 09:30, where a decent crowd was already stepping anxiously in front of the gate. It was the day of the Lottery.
The Lottery works like this: Every Friday everyone above the age of 16, who bought a ticket to the museum between 09:30 and 10:30 is eligible to participate. You need to read and agree to the conditions (for example that you will change into special protective clothing, will not touch anything or take pictures of anything, etc.), fill in a short form with your name, passport/national ID number and telephone and toss it into good old fashioned draw box. Five lucky winners then get to visit the original cave.
If you have arrived at 09:30 you have plenty of time to view the replica of the cave and visit the rest of the museum.
At approximately 10:40 the draw begins and the suspense is intense. It reminded me of times at university when …
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In the winter of 1964, a friend and I hitchhiked along the northern coast of Spain with the goal of seeing Altamira cave. We were dropped off and walked about 1/4 mile to the site, only to see sign saying in Spanish, "Closed for the season." After we had lingered there sadly for a few minutes, an old man came out of a nearby dwelling with a big flashlight and said, "I'll show it to you." He unlocked the door and took us in. This was the most sublime experience of art in my life. The drama of the buffalo raging across the ceiling [and perfectly adapted to the bulges of the stone] moved and impressed me. The thrill I felt has scarcely subsided after 50 years.
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I visited this WHS in August 2014. After learning that the Altamira Cave was closed to the public and that it was only possible to visit the replica museum, I decided to make a reservation online to visit the group of caves of El Castilo, Las Monedas and Las Chimeneas inscribed together with Altamira. I opted for the first visit in the morning on a weekday to avoid tour groups and indeed I was lucky. The guided visit was in Spanish but I was able to follow the gist of what the guide was saying and anyway my main purpose was to visit the actual caves and to see the original paleolithic art illuminated by the guide's torch. The main highlight of the El Castilo cave were the hand impressions while the highlight of the other caves were animal paintings of deer and bisons. Photography is not allowed but I managed to take a short video of the hand impressions as I exited the cave and a couple of photos too which I'll treasure knowing that sooner rather than later the original caves will have to be closed to the public to avoid damage caused by fungi diseases. I enjoyed my visit mostly because I managed to see the original paleolithic art this time round, however I must say that the Lascaux cave drawings are more elaborate (even though what you see is a replica).
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I visited Altamira in the late 60's and for the price of the equivalent of $3US hired an official guide for a day who took me through all the locations open to tourists which were stunning beyond ones imagination and a very spiritual experience.
We then proceeded to go deeper into the complex with our own flashlights and crawled through fissures and saw petroglyphs and finger drawings in the mud floor.
I have seem many cave drawings in South Africa and France but the Hall of Paintings is only second to Lascaux,
A truely marvellous experience
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While living in Germany from 1969 through 1977, my wife and I travelled extensively througout Europe. On one of our trips in the early 70's, we drove north from Madrid toward Santander, intending to follow the northern coastline back into France. Early one morning by chance I happened to notice a small sign referring to the Altamira caves. On a whim we pulled into the indicated parking lot and waited an hour or so for the elderly guide to show up for the morning's first tour.
No more than a dozen of us took the tour. I must say it was one of the most moving experiences of my life and certainly a highlight of our time living in Europe. I remember entering a relatively large anteroom near the front of the cave and then being led back into a much smaller chamber. (I only recall one chamber beyond the anteroom, though there probably were more.) A path had been dug out around the walls leaving a waist-high (or perhaps chest-high) plateau in the middle of the room that we had to squeeze around.
Although I had seen photographs in the past of cave drawings, I was completely unprepared for the impact the originals had upon me. What struck me most was how creatively the artist(s) exploited the contours of the wall. In a two-dimensional photograph you get no sense how the bulges in the rock surface were incorporated quite imaginatively and intricately into the bodies of the various animals.
…
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I visited the Cave of Altamira while traveling in Europe with two friends in 1968. We rented a car in Paris, traveled the length of Spain and finished up in Lisbon. One of my companions, who taught Spanish at a university in Virginia, suggested that we take in Altamira and another cave (probably El Castillo, since it was not far away)during our stay in San Sebastian.
As I recall some forty years later, visiting the Altamira cave was very easy - i.e., it apparently was not a big tourist site at that time. Somewhere among my belongings, I have a postcard of one of the figures in the cave, but I think I purchased it in Santillana del Mar rather than on the site. In any event, the three of us had a private showing. A grizzled old man took our money and then led us in. I remember being grateful that it did not require going underground. Once inside, I was of course in awe, not only of the age of the paintings, but also of the delicacy and skill with which they had been executed. I think we tend to look down on our distant ancestors as primitive and stupid, but cave paintings like those at Altamira remind us that they were not. The artistic impulse was alive and well. Most modern art makes me think that we have regressed rather than advanced - a case of too much head and not enough heart.
Of the El Castillo …
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After reading Els disappointment with a visit to the new copy of Altamira which correlated with some friends experiences, I decided to forgo a trip along to Cantabria and instead visited one of the Western most inscribed caves, Tito Bustillo, which was regarded as one of the four most important in the inscription.
This was my first cognisant visit to a cave art site, so I don’t have much to compare it with, however I was massively impressed by the examples I saw. It was a long walk (1km) through a rather impressive cave, displaying all of the features one would expect, stalagmites/tites etc. We then got to a dark section of the cave and our guide shuffled us into position, she then shone her torch on the art and I must admit I joined in when the rest of the group gasped. The depictions of animals were limited but very impressive. Our guide proceeded to give a very thorough explanation (in Spanish, but I got the gist, and the movement of the torchlight made it very easy to follow) and show that there were many other faint representations with-in the gallery.
Unfortunately it is not possible to reach the ‘Cave of Vulvas’ for which Tito Bustillo is particularly renowned (one of the earliest examples of art with sexual motivations), we were shown the access point to the cave system in which it lies and without proper caving equipment and a very bendy body it is inaccessible. This was a …
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When I first became aware that there exists such a thing as 'World Heritage', the Altamira Cave rose quickly to the very top on my list to visit. Such a magnificent, but also exclusive, site. You had to pre-book a visit 3 years before! One day I’ll go there, I thought. I’ll just reserve a spot and travel there to see this work of art. But what happened? The cave got closed to the general public entirely in 2001!
Years and years (and many WHS) later, I stayed for a couple of days in Llanes, a town close enough for a trip to Altamira. One can visit only a replica nowadays, and since 2008 other paleolithic caves in the area have been added to this particular WHS. So the Altamira Cave isn’t so unique anymore. However, I noticed on the official Altamira website that it is even possible / recommended to pre-book your visit to the replica cave too!
On a Saturday in August, I decided to take my chances and just show up. I arrived at 9.50, early enough to beat most of the Spanish who don’t seem to get going before 11 a.m. Buying a ticket was no problem then. Entrance to the museum is free, and you pay 3 EUR for visiting the replica cave. You’re only allowed into this what they call ‘New Cave’ at a fixed timeslot, in groups of about 40-50 in a 10-minute interval. They do build up the expectations with …
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