Dzongs: the centre of temporal and religious authorities (Punakha Dzong, Wangdue Phodrang Dzong, Paro Dzong, Trongsa Dzong and Dagana Dzong)
Dzongs: the centre of temporal and religious authorities (Punakha Dzong, Wangdue Phodrang Dzong, Paro Dzong, Trongsa Dzong and Dagana Dzong) is part of the Tentative list of Bhutan in order to qualify for inclusion in the World Heritage List.
Click here for a short description of the site, as delivered by the state party.
- ●● Tentative
The coordinates shown for all tentative sites were produced as a community effort. They are not official and may change on inscription.
Solivagant UK 12.12.14
The “Dzongs of Bhutan” came 12th in our 2014 vote on the most significant sites “missing” from the WH list. Way back in the autumn of 2001 we visited 4 of the 5 included in this T List entry. 4 of them (Dagana Dzong is the exception) sit on a natural East/West route along or near the main “lateral highway”. In sequence from the West - Paro, Punakha, Wangdue Phodrang and Trongsa are c350 kms apart and will be passed anyway if you want to visit another fine area of Bhutan further east at Bumthang - where Bhutan’s T List site of Tamzhing is also situated and also where some rather fine tshechu festivals take place.
In 2001 this highway was undergoing significant work (a glance at a map of Bhutan will show it to be the only route into the country’s centre and east other than by travelling up from India) but is apparently still largely a difficult single track east of Thimpu subject to landslips etc. The terrain is mountainous and heavily forested but runs south of the snowcapped peaks - it crosses several passes at around 3000/3500m. A trip from Paro to Bumthang, taking in the other 3 dzongs is going to take 2 days each way with stops at/near Punakha/Wangdue out/back. Unfortunately Wangdue suffered a major fire in Jun 2012 (yet another Bhutanese T List site thus impacted – ICOMOS will have to pay careful attention to fire protection if any of these sites get nominated!) – a pledge was made to rebuild it but I am not aware of its current status. If it is still intended to include Wangdue then that could result in delay to such a nomination. In the immediate aftermath of the fire the Director General of Department of Culture said, “Since Wangduephodrang Dzong was included in the tentative list before the fire the change will be updated with the UNESCO.” thus implying an intention to remove it. However, Wangdue dzong still figures in the T List definition so maybe the Bhutanese had second thoughts on this matter and hope to include it in restored form! With or without Wangdue, it does appear that the Dzongs are high in the “frame” - see this report of a workshop which took place in Aug 2014 - http://www.heritagesites.gov.bt/main/viewmore.php?id=28 ) But, since the Silk Road was also discussed, it may be that it might take precedence even if not currently on Bhutan’s T List.
What links these 5 dzongs from among many which could have been chosen is the fact that they were the most significant ones founded in the 17th century by Ngawang Namgyal, who is credited by the Bhutanese with uniting the various warring “fiefdoms” which then existed and thus with creating a distinctly Bhutanese identity, separate from that of Tibet from where it was derived. The full title of the T List entry reflects the fact that he set up a system of dual leadership, civil and religious, which lasted until the country adopted hereditary monarchy in 1907 under a forbear of the current king. The fortified dzong “were later expanded and modified by his successors in order to adapt court of clergies and administrators” (UNESCO) and, even today, are centres of both civil and religious government.
I must admit that my ability to remember the dzongs individually (at least regarding their interiors) has diminished somewhat across the 13 years since our visit. Revisiting my slides as part of a long term digitising exercise has helped (and has been the stimulus for my reviewing of Bhutan’s as yet unreviewed T List sites from a long past trip!). I attach one such digitised photo of Trongsa dzong - the largest in Bhutan and wonderfully situated.
As would be expected for structures created at much the same time and for the same purpose they all have significant similarities. When you see them you will realise why the word originally meant “fortress” - these structures are primarily just that, together with a strong religious element in the form of temples and quarters for monks. Externally each is surrounded by massive inward-sloping stone walls, sometimes curved and with occasional towers and slit windows, painted mainly white and topped with a decorative ochre band. Above these walls can be seen the windows of wooden structures. Inside are a number of separate buildings - each with the typical sloped roof (now made mainly of painted corrugated iron rather than traditional wood – though Trongsa has maintained its wooden shingles) and open eaves, often with decorated ends.
Once inside you are in a complex of courtyards, administrative and religious buildings – the latter dark, pillared and full of tantric “paraphernalia”. There will probably be service of some sort taking place somewhere with chanting, clashing of cymbals and drums and the blowing of horns of various types. A note in my diary comments that one of the instruments was made from a human femur (look up “Kangling”)! There will be groups of monks studying (or even playing!) and ordinary people coming/going for prayer or some administrative purpose carried out inside the dzong. All very relaxing and friendly
Entry to dzongs is “free” but, since most visitors to Bhutan are going to have a guide (travel by foreigners, other, I believe, than those from India, Bangladesh and Maldives, is supposed to be supported by a local company), one would normally have him/her with one when entering. This of course was never normally a problem until we decided to return to Paro dzong for a second visit on our “free” afternoon during which we had been expected by our guide merely to shop and relax! Traditionally all dzongs have a “gatekeeper” even if there is no need to collect money - our desire to enter on our own caused some consternation at the gate, but we were respectfully dressed (another requirement – and locals have to be in religious or officially prescribed “Bhutanese” costume!) and were assigned to another group which was entering and then left to our own devices once inside!
I was somewhat disappointed at how relatively few slides I have compared with the number of digital snaps I would now take (as well as movie!) but that was the way of travel then with limited “expensive” (and bulky) 35mm film which had to be “rationed” through a trip! But I also remember that Bhutan didn’t and apparently still doesn’t, allow photos inside the religious areas of dzongs/temples although courtyards etc are ok so that at least partially explains the small number. Tibet and Ladakh were both more relaxed on this matter despite their similar Buddhist tantric tradition. We are unlikely to return to Bhutan to rectify this lack of tangible mementos but, looking back, it was a good trip and Bhutan is a country which I suspect it is better to have seen “earlier” rather than “later” given the changes which are inevitably occurring. Those who voted for the dzongs among the top 50 missing were not wrong – indeed they should have come higher than 12th!
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- 2012 - Submitted