The Matobo Hills are a living cultural landscape in south-western Zimbabwe, where people have interacted for over 100.000 years with the distinctive local rock formations.
The very specific ecology of this area (moist and rocky) leads to a wide range of flora and fauna (notably black eagles and leopards). The rocks also provide natural shelters for humans: there has been occupation from the early Stone Age on and intermittently since, proved by archeological findings.
The hills are home to an outstanding collection of rock paintings, the largest in southern Africa. There are round 700 known sites with some 20.000 paintings. They date from the late Stone Age and the Iron Age, the eldest from 13.000 years ago. The themes depicted are associated with hunting and gathering. The places still is part of a living tradition, via shrines and sacred places connected with the high God of the oracular cult Mwali.
Compared to Tsodilo (Botswana), the Matobo Hills are older and a from a different cultural tradition. There is also high-level similarity to other sites in the region (Namibia, South Africa).
Solivagant - October 2005
The Matabo Hills are inscribed as a “Cultural Landscape” - A somewhat opaque concept which can mean everything or nothing but often seems to mean that no single structure or natural site is worth inscribing but that the whole in some way is greater than the sum of the parts in representing a way of life! Indeed the relatively small area of the Matabos does offer a variety of sights
a. Some quite striking (if nor outstanding) scenery characterised notably by “Kopjes” – strangely shaped weathered granite outcrops often in the form of “castles” or huge “marbles” balanced on top of each other
b. A game park area which is full of reintroduced animals and, in terms of the whole gamut of African wildlife parks, rather “tame”
c. At “World’s View” outcrop the “White Colonial” memorials of Rhodes Grave and the Shangani Patrol (in memory of a group of white soldiers wiped out by the Ndebele in 1893).
d. Shrine caves of the Mwari Cult which are taboo to visitors
e. A number of caves or overhangs which can be visited and contain Rock paintings whose age is still a matter of some conjecture but were done by Stone and/or Iron age hunter gatherers.
Somehow all these aspects (including the Colonial memorials!) are credited in the inscription. Given time to explore and/or access to appropriate wildlife expertise the area would no doubt repay more in-depth exploration than is possible during a quick “tourist visit”. Certainly a trip to Zimbabwe without visiting the area at all would be seriously incomplete. We gave it a full morning (we had our own vehicle) and nothing I have read since makes me regret not giving it more.
But what image should be used to capture the essence of the park? Looking back I think the paintings were the highlight (photo). These are no primitive “stick creatures” – these representations could almost walk off the wall so lifelike is the result of a few deft lines and simple colours.
Share your experiences!
Have you been to Matobo Hills? Click here to add your own review.
Full name: Matobo Hills
2003 - InscribedReasons for inscription
1984 - DeferredICOMOS positive but dossier lacks justification - needs resubmission
The site has 14 connections. Show all
- Granite rock formations
- Inselbergs "The landscape is visually and ecologically distinguished from the surrounding dry savannah. A profusion of distinctive granite landforms, densely packed into a comparatively tight area, rise up to form a sea of hills. Their forms have resulted from the varied composition and alignment of the granites, which responded differently to millions of years of weathering, leaving inselbergs (large individual vertical rocks), kopjes, crenellated ridges, dwalas or hump-backed domes, and what look like randomly heaped boulders." (AB eval)
- Ratites common ostrich
- Assassinations Assassination of Mlimo by Frederick Russell Burnham in one of the Matobo caves in 1896
- Cecil John Rhodes "Cecil Rhodes, Leander Starr Jameson, and several other leading early white settlers....... are buried on the summit of Malindidzimu, the 'hill of the spirits'" (Wiki) Called World's view" by Rhodes it was his chosen burial location and is marked by a memorial
- Radziwill Family Catherine Radziwill (1858-1941) was a stalker of and even claimed to be married to Cecil Rhodes, who is buried in Matabo Hills
- Built in the 4th century earliest paintings
- Built or owned by British Rhodes Memorial etc
World Heritage Process
- Associative Cultural Landscape "What gives Matobo its continuing relevance to local communities today is the strong persistence of indigenous beliefs and practices associated with Matobo as a sacred place - the seat of God, (Mwari/Mwali), the home of ancestral spirits, and the focus for rituals and ceremonies linked to rain, harvest, disease and appeasement of spirits. Overall the landscape has a strong aesthetic quality - the natural phenomena give the place a dramatic 'natural beauty'. From strategic points on the hills there are far reaching views over the surrounding landscape. It is easy to see why so many people have imbued this landscape with a special meaning." (AB).
- Cultural sites rejected for Natural criteria The minutes of the Bureau of 1984 state that the site had been reviewed by both ICOMOS AND IUCN (which seems to imply that it must have been nominated on both Natural and Culturla ciriteria -the concept of "Cultural Landscape" wasn't then accepted by UNESCO). ICOMOS had been positive regarding the rock art and Zimbabwe was asked to resubmit with greater clarity regarding both the natural and cultural criteria. See page 16
- Ten years or more to inscribe 1984-2003