Sydney Opera House
The Sydney Opera House is one of the most distinctive and famous 20th century buildings.
It is situated on Bennelong Point in Sydney Harbour. The building and its surroundings (like the Harbour Bridge) form an iconic Australian image.
In 1955 a competiton for a design of a large, dedicated opera house and concert hall was started. It was won by the Danish architect Jorn Utzon. It was later finished by Arup & Partners and Australian architects Hall, Todd & Littlemore and Ted Fmer.
The Opera House was formally opened by Queen Elizabeth II, in her capacity as Queen of Australia, on October 20, 1973.
Visit April 2011
After now having visited Sydney Harbour including the Opera House, I find it a pity that the nomination that finally got succesful in 2007 only covers the Sydney Opera House. Sydney's Harbour is its great asset, both as a magnet for immigrants in the past and for its picturesque setting. The Opera House is a single great building of course, but I was more impressed by the Harbour Bridge.
I "did" Sydney on a half-day bike tour. It took us all along the different quays, over various bridges but allways with the fabulous harbour view in sight. The fish market was a worthy stop for a fresh snack.
We cycled around the Opera House too of course. From upclose it is more visible that is actually made of 3 sets of "shells" (it looks one structure from afar). After having read the reviews below, I had decided not to spent another 35 AUS dollar for a tour inside. The complex is very "open" anyway, it is a public building that is used by many.
Mirjam S. - April 2015
Well, what else is there to say about this WHS? It is so famous, so well-known. One of the most recognizable buildings in the world for sure, and definitely one of my favourites.
I have visited Sydney twice so far (just planning my third trip for next year!) and I remember both times I first saw the Opera House. In 2007 I first saw it from the bus arriving in the city. I was so fascinated of finally seeing that building, I couldn't believe how beautiful it was, the glowing white surface against the deep blue water of the harbour. In 2010 I approached on foot from Pitt Street and suddenly saw glimpses of the Harbour Bridge between the tall buildings. I was so excited, my heart beating wildly, as if I was to meet a long lost lover. Then I did another walk along the bridge, taking as many pictures as a few years ago. I just couldn't get enough of it.
Something I recommend is the tour inside of the Opera House. It was really interesting and nice to see some of the rooms inside. There were also lots of explanations about the architecture that helped me to understand the building and the background.
Hyacenth - April 2014
I have been to The Opera House many times, and have always quite enjoyed my time there. It is worth visiting, even if you are not attending a show. These are reasonably priced, and always great entertainment.
But, if you are spending the day there, I would suggest that you packk a lunch - the nearby food places have ridculously high prices (but some may be worth this price, if you are willing to take the fall).
Next to the Ayers Rock, the Sydney Opera is the most identifiable and well-known Australian landmark, and probably the best-known opera house worldwide, at least in terms of its design. It is also a landmark in 20th century architecture, and of course, its location in exceedingly beautiful Sydney harbour is impossible to top. So any visit to Sydney would be incomplete without at least admiring the building from the outside, preferably from a ferry or a cruiseship. Having said that, I would say that this is also enough, and a visit of the interior of the building is not really necessary. It´s not particularly disappointing, there´s just not a whole lot to see. Still, when in Sydney, do as the Sydneysiders do and go to the opera!
I was very happy to see the Opera House added to the World Heritage list, it is an exceptional and highly identifiable building with an outstanding setting, in a great city.
The Opera House has an incredible setting backed by the Harbour Bridge on one side and the parkland containing the Botanic gardens and Mrs Macquarie's Chair on the other. This setting is iconic and, along side Prague Castle, sits as the best relationship between the natural and built environments I have seen.
It is perhaps best to view the building as a sculpture for this is where its true greatness lies. The iconic shapes of it shell provide endless joy to wander around. It is a surprise to see that it is made with small hexagonal tiles instead of large pieces of metal. These tiles reflect light and in fact my first glimpse of the Opera House was when we flew over its glow en-route to the airport.
The interior of the building however is does not live up to its exterior, in fact it is a bit of a mess. There is no real relationship between the outside and inside, and the acoustics are apparently quite poor. This contradiction of design may relate to the fact that the architect Jørn Utzon left the project before the interior was started. This was mostly due to political factors during the incredible 16-year building process. These factors were also part of the reason the site was not added to the World Heritage list earlier. In 1996 Prime Minister John Howard refused to support the nomination. Though at the time of inscription he did welcome its addition. Current plans to redevelop the interior with Utzon’s help may be an awkward situation for UNESCO though.
There are many great places to view the structure from; Mrs Macquarie’s chair is one of the best as it places the Harbour Bridge in the background. I managed to view it from the top of the Bridge, which was a truly memorable way to see it, and also provided a great tour of the Bridge, which is very impressive in its own right.
The building is not a structure that has come to prominence for being representative of a particular Modernist school, neither is it iconic for being the work of a renowned architect. Utzon himself is not going to be listed in the Pantheon of Modernist alongside Le Corbousier, Frank Lloyd Wright, Mies Van der Rohe or Oscar Niemeyer. The success of the building is derived from its own shape and location which have made it a truly iconic structure, and this uniqueness is what gives it it’s outstanding universal value and makes inscription on the World Heritage List very justified.
Sydney was the first place I visited independently and I really loved it, whether it would have the same impact now that I have travelled a little more I am not sure. I do however still hold it as one of the finest ‘Modern’ cities I have visited. The Opera House and its setting are the highlight giving the city a well deserved setting on the world stage.
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Full name: Sydney Opera House
2007 - InscribedReasons for inscription
1981 - Requested by State Party to not be examinedNegative evaluation by ICOMOS, only modern structures if they've launched (or are a major example of) a distinctive architectural style. Bureau expressed interest in receiving a revised nomination for Sydney Harbour, both as a bay and as the site of the first permanent European settlement in Australia.
The site has 19 connections. Show all
- Architectural design competitions Utzon won a competition to design the opera in 1957.
- Expressionist architecture The Sydney Opera House in Sydney, Australia is one of the most iconic buildings in the world and one of the most recognisable examples of Expressionist architecture (wiki)
- Hyperboloid Structure Originally designed as a Hyperboloid, this proved too difficult and Utzen and Arup (the consulting engineers) changed to spherical shells
- Built in the 20th century Opened in 1973.
WHS on Other Lists
- Pritzker Architecture Prize Jørn Utzon (2003)