The 'Cave of Altamira and Paleolithic Cave Art of Northern Spain' feature drawings and polychrome rock paintings of wild mammals and human hands.
The site consists of the famous Altamira Cave, with its Chamber of the paintings
('Sistine Chapel of Prehistory'), and 17 other caves in Northern Spain.
During the 1960s and 1970s, the paintings in the Altamira Cave were being damaged by the damp breath of large numbers of visitors. Altamira was completely closed to the public in 1977, and reopened to limited access in 1982. Very few visitors were allowed in per day, resulting in a three-year waiting list. At the present time, a study is being made of the conservation conditions inside the Cave of Altamira, so it is NOT possible to visit it. A replica cave and museum were built nearby.
Visit August 2009
When I first became aware that there exists such a thing as 'World Heritage', the Altamira Cave rose quickly to the very top on my list to visit. Such a magnificent, but also exclusive, site. You had to pre-book a visit 3 years before! One day I’ll go there, I thought. I’ll just reserve a spot, and travel there to see this work of art. But what happened? The cave got closed to the general public entirely in 2001!
Years and years (and many WHS) later, I stayed for a couple of days in Llanes, a town close enough for a trip to Altamira. One can visit only a replica nowadays, and since 2008 other palaeolithic caves in the area have been added to this particular WHS. So the Altimara Cave isn’t so unique anymore. However I noticed at the official Altamira website that it is even possible / recommended to pre-book your visit to the replica cave too!
On a Saturday in August, I decided to take my chances and just show up. I arrived at 9.50, early enough to beat most of the Spanish who don’t seem to get going before 11 a.m. Buying a ticket was no problem then. Entrance to the museum is free, and you pay 3 EUR for visiting the replica cave. You’re only allowed into this what they call ‘New Cave’ at a fixed timeslot, in groups of about 40-50 in a 10 minute interval. They do build up the expectations with a large door that opens up and a video. But what a disappointment the rest is! It is fake and it looks like it. The famous Chamber of the paintings has been reduced to a corner in a museum setting. I seriously thought that the 'replica cave' still had to come, when I saw the Salida (Exit) sign.
To wash away the dirty taste, I decided to go and visit another cave in the inscribed area. A lot of the others are either closed to the public too, or have strict limits on visitor numbers so you’ll have to pre-book or be early. I had done some research beforehand, and had decided upon El Castillo which didn’t appear to have these limitations. The El Castillo cave system is located just outside Puente Viesgo (20 min from Altamira).
And fortunately: Yes, this is a cave as it ought to be. The interior is cold, dark and slippery. It is quite a large cave system and dripstone has formed abundantly. For 3 EUR you get a 45 minute tour by a guide in a small group of about 15 people. The guide points out the paintings with a light. Bisons in various sizes and postures. Symbols. And hands, lots of hands. I thought these only existed in the Cueva de los Manos in Argentina but they are quite common among palaeolithic cave paintings. I'm glad I got to see those.
P.S.: I’d love to read a ‘review’ of this WHS by someone who has been into the ‘real’ Altamira cave (before 2001)!
|Jorge Sanchez (Spain):|
I travelled by bus from Burgos to Puente Viesgo. Since all the hotels were too expensive, I found a pleasant place to sleep in the old railway station.
In the morning I walked about one and a half kilometers up the Monte Castillo, to visit two spectacular caves, called El Castillo and Las Monedas.
The entry fee was 3 Euro per each cave.
I had chosen to visit those caves, instead of the one better known of Altamira, because in Altamira you see a reproduction of the original cave, but in El Castillo and Las Monedas you enter in each cave.
Both caves were spectacular. There were more caves in that hill, but were closed.
In both of them we would spend almost one hour. We were several tourists, most of us Spanish, so the explanations were in Spanish language.
The caves themselves were formidable, stunning, more when our guide showed us design of human hands and animals.
| Date posted: October 2013|
|Sir Gavin Gilbey,BT (UK):|
I visited Altamira in the late 60's and for the price of the equivalent of $3US hired an official guide for a day who took me through all the locations open to tourists which were stunning beyond ones imagination and a very spiritual experience.
We then proceeded to go deeper into the complex with our own flashlights and crawled through fissures and saw petroglyphs and finger drawings in the mud floor.
I have seem many cave drawings in South Africa and France but the Hall of Paintings is only second to Lascaux,
A truely marvellous experience
| Date posted: October 2011|
|Mark Scanlon (USA):|
While living in Germany from 1969 through 1977, my wife and I travelled extensively througout Europe. On one of our trips in the early 70's, we drove north from Madrid toward Santander, intending to follow the northern coastline back into France. Early one morning by chance I happened to notice a small sign referring to the Altamira caves. On a whim we pulled into the indicated parking lot and waited an hour or so for the elderly guide to show up for the morning's first tour.
No more than a dozen of us took the tour. I must say it was one of the most moving experiences of my life and certainly a highlight of our time living in Europe. I remember entering a relatively large anteroom near the front of the cave and then being led back into a much smaller chamber. (I only recall one chamber beyond the anteroom, though there probably were more.) A path had been dug out around the walls leaving a waist-high (or perhaps chest-high) plateau in the middle of the room that we had to squeeze around.
Although I had seen photographs in the past of cave drawings, I was completely unprepared for the impact the originals had upon me. What struck me most was how creatively the artist(s) exploited the contours of the wall. In a two-dimensional photograph you get no sense how the bulges in the rock surface were incorporated quite imaginatively and intricately into the bodies of the various animals.
Standing only inches from the drawings, I somehow had a sense of the presence of the artist. I could almost see him (or was it perhaps her?) laboring over the drawings with only fire to illuminate the surface. And, of course, that sense of the presence of the artist was especially acute when I viewed the image of the hand (which presumably belonged to the artist.) All in all, the visit was a wonderfully moving experience that has lingered prominently in my memory for four decades.
By the way, a few years later we were visiting the Deutshes Museum in Munchen and came across a simulation of that chamber at Altamira. You walked into a tunnel-like structure the walls of which replicated quite accurately the walls of the actual chamber. In fact, my wife and I were quite startled by how realistically the room was portrayed. Of course, the dampness and musty odor of the actual site were lacking, but other than that, we almost felt like we were back there. So I'm a little surprised to read that the replica located at Altamira today is such a disappointment. I would have to guess that it's not the same one we walked through at the Deutsches Museum.
While I feel bad that my visit to the cave roughly 40 years ago might have contributed to its deterioration, I will always be grateful that I had the chance to view it first-hand. As it turns out, the tour was indeed a "once-in-a-lifetime experience."
| Date posted: March 2011|
|Ian Cade (England):|
After reading Els disappointment with a visit to the new copy of Altamira which correlated with some friends experiences, I decided to forgo a trip along to Cantabria and instead visited one of the Western most inscribed caves, Tito Bustillo, which was regarded as one of the four most important in the inscription.
This was my first cognisant visit to a cave art site, so I don’t have much to compare it with, however I was massively impressed by the examples I saw. It was a long walk (1km) through a rather impressive cave, displaying all of the features one would expect, stalagmites/tites etc. We then got to a dark section of the cave and our guide shuffled us into position, she then shone her torch on the art and I must admit I joined in when the rest of the group gasped. The depictions of animals were limited but very impressive. Our guide proceeded to give a very thorough explanation (in Spanish, but I got the gist, and the movement of the torchlight made it very easy to follow) and show that there were many other faint representations with-in the gallery.
Unfortunately it is not possible to reach the ‘Cave of Vulvas’ for which Tito Bustillo is particularly renowned (one of the earliest examples of art with sexual motivations), we were shown the access point to the cave system in which it lies and without proper caving equipment and a very bendy body it is inaccessible. This was a shame; however I left my first dabbling with cave art wanting to see more.
Tito Bustillo is located in the charming fishing town of Ribadesella, located on a great piece of coastline butted against the sea by the peaks of the Picos de Europa national park. The town also has a selection of Dinosaur footprints and is located on the Camino del Norte so has the remote potential of having 3 WHS. Even if it doesn’t get this accolade it is still a very charming and well connected town that I really enjoyed spending a sunny day in.
The Cave art I saw at Tito Bustillo was really impressive and I would happily visit more sites based on this experience. This cave was regarded as one of the four most important in the inscription so I feel I have done the site some justice, but would happily return to visit more of the caves.
Information on visiting Tito Bustillo can be found here and Tickets can be reserved here (in Spanish)
[Rating: Site 7, Experience 7]
| Date posted: October 2010|
|Susan (Washington, DC):|
I visited the Cave of Altamira while traveling in Europe with two friends in 1968. We rented a car in Paris, traveled the length of Spain and finished up in Lisbon. One of my companions, who taught Spanish at a university in Virginia, suggested that we take in Altamira and another cave (probably El Castillo, since it was not far away)during our stay in San Sebastian.
As I recall some forty years later, visiting the Altamira cave was very easy - i.e., it apparently was not a big tourist site at that time. Somewhere among my belongings, I have a postcard of one of the figures in the cave, but I think I purchased it in Santillana del Mar rather than on the site. In any event, the three of us had a private showing. A grizzled old man took our money and then led us in. I remember being grateful that it did not require going underground. Once inside, I was of course in awe, not only of the age of the paintings, but also of the delicacy and skill with which they had been executed. I think we tend to look down on our distant ancestors as primitive and stupid, but cave paintings like those at Altamira remind us that they were not. The artistic impulse was alive and well. Most modern art makes me think that we have regressed rather than advanced - a case of too much head and not enough heart.
Of the El Castillo experience, I can only say that I was too freaked out by the dark and cold, and the fact that it was underground, to appreciate whatever there was to see. Also, we went in with a large group of tourists, so seeing anything up close was virtually impossible.
| Date posted: February 2011|
You can only visit a copy of the original cave. Similar but much less spectacular than Lascaux. It's a tourist spot with a regular Juju-train from the near town of Santillana to the cave, so most of the time its crowded and noisy. Santillana itself is a nice town and the two Paradores are both a nice place to stay overnite when visiting the cave.
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