Decorated Grottoes of the Vézère Valley is a complex of caves in southwestern France famous for its cave paintings.
They contain some of the most well-known (Upper Paleolithic) art, dating back to somewhere between 15,000 and 13,000 BCE. They consist mostly of realistic images of large animals, including aurochs, most of which are known from fossil evidence to have lived in the area at the time.
Map of Vézère Valley
- ●● Cultural
Frederik Dawson Netherlands 10.04.17
When I heard the news that France has opened the new Lascaux International Center or commonly known as Lascaux IV, I immediately asked my friends to visit this new museum as part of our trip to Andorra which seemed to be a great place to see. The tickets were very easy to secure by online booking from the Lascaux’s website and maybe our visit was happened in March, there were plenty of free slot of tour to choose. We arrived the village of Montignac 50 minutes before our tour started, but because of many detours from road construction in the center of village and our GPS did not know this new site, we got lost and arrived at museum carpark 10 minutes before the tour started.
The stunning museum complex building is very modern but well integrated with overall nearby landscape. We met our guide who is excellent in French accent English. Our tour group was only 10 persons. The museum also provide an excellent hi-tech audio guide with personal ipad liked machine. First of all our guide took us to the roof of the complex to explain the environment of Vezere River Valley, then we went to see a presentation of what this area was looked like in ancient time in each seasons especially the common wild animal and the story of how Lascaux has been rediscovered by local teens. Our guide took us to the small open corridor next to the forest while played the record of dog barking sound and voice of chasing boys to replicate the time when they discovered Lascaux. Then came the highlight of the tour, the replica of Lascaux Cave. The replica is stunning for its impressive works of multi-colored of art, the images of the rows of countless animal by ancient humans in the first and second rooms are really beautiful, while it was unbelievable that all are just a replica with faithful works to copy everything from the real cave. Then we went to see the new section that was not at the Lascaux II, so this section was quite interesting for people who already been to Lascaux II. While there are still a lot of paintings in this new section, most of them are lack of color, only fainted lines are visible, so without guide, this section really looked plain. After that the guide took us to another hall which display partial sections of paintings which we could see as long as we want for better understanding via the audio guide and multimedia. Then we went inside cinema hall which displayed history of Lascaux interpretation and study and ended the tour with nice meal at café museum.
Lascaux International Center is a very nice place to visit, the first and second hall of the replica are unbelievable and very beautiful. The display which try to make a better understanding on cave study and history is really good and highly recommended, truly one of the best World Heritage Site of France. What is our opinion on Lascaux IV, I think what our guide said before we entered a replica cave is the very good summary “Human love beauty and in searching of beauty is a thing of human being. Art of Lascaux is beautiful, so it is natural that people around the world want to come here to visit Lascaux”.
Klaus Freisinger Austria 24.10.15
This is a site I had long wanted to visit, but it is rather difficult without your own transport. The solution was a well-organized day trip run by a tour company (Ophorus). Starting from the pretty medieval town of Sarlat, we first visited the cave of Rouffignac, which is especially famous for its fantastic paintings of mammoths. The visit is by means of an electric railway which stops at several points for an explanation of the paintings. It was already a tourist attraction in the 19th century, so it is remarkable that one can still visit the original cave, rather than a replica. The day continued with a guided visit of the excellent National Prehistory Museum in Les Eyzies de Tayac, which supposedly contains the largest collection of prehistoric artifacts in the world. In the afternoon, we joined a guided tour of the Lascaux II cave, the replica of the most famous cave in the world. The original was closed to visitors in 1963, and the replica opened in 1983, just about 200 metres above the original (the entrance to the original is of course closed off, but the UNESCO sign can be seen at the fence). Lascaux II recreates the most important parts of the original cave in immaculate detail and is really quite fascinating, although I have to say that I was even more impressed by the original cave in Rouffignac.
Clyde Malta 24.03.14
I visited this great WHS in March 2014. I drove to the Vézère Valley early in the morning. There are prehistoric sites scattered all over the valley but most are either not open to the general public or else it is only possible to visit with a tour guide available only 2-4 times a day (especially in the low season, i.e. NOT June to August). After a lot of research over the internet, I decided to head first to Les-Eyzies-de-Tyack to visit the National Museum of Prehistory. This gave me a general overview and good insights on what to look out for and why these sites are so unique and important. Afterwards, I proceeded to Roc de Cazelle which turned out to be nothing more than caves with artificial scenes attempting to depict how prehistoric everyday life must have been in these caves. All in all it's not worth the effort and time to get there unless you travel with children. Next I visited Font-de-Gaume Decorated Cave which I had prebooked directly by email to firstname.lastname@example.org. There is quite a hike to visit these caves which are high in the cliffs so my trekking shoes came in handy. The guided visit was 1 hour long. This cave contains around 180 paintings of animals, mainly bison and reindeer with different shades of black, red, brown and yellow. Since the cave has never been completely closed, the quality of the drawings is fading, even though only 200 visitors per day are allowed. After my visit, I asked the guide where I could visit to view some prehistoric etchings which are also mentioned in this inscription. The guide suggested a quick visit to both Les Combarelles Caves to view the prehistoric etchings of felines, stags and Rouffignac Cave which is mostly famous for the outline of a mammoth and which is definitely the site to visit if you only have time for only of these two. That was quite a good morning starter, so I headed towards quaint Montignac where I stopped for lunch. In the afternoon I drove to the entrance of the original Lascaux Cave which is now closed to the general public but there I found a UNESCO plaque depicting its inscription. It is only 200 metres uphill from the visitor centre of Lascaux II. Lascaux Cave contains some of the best-known Upper Paleolithic art estimated to be 17,300 years old. Discovered in 1940, the cave complex was opened to the public in 1948, but by 1955 the carbon dioxide exhaled by 1200 visitors per day had visibly damaged the paintings and the cave was closed to the public in 1963 in order to preserve the prehistoric art and restore it to its original state. Yet this turned this incredible site into a monitored and closed laboratory, with experts involved to fight against the fungi, black mold, green mold and preserve the pigments. Lascaux II, a replica of two of the cave halls (the Great Hall of the Bulls and the Painted Gallery) was opened in 1983, 200 meters from the original. It's truly a work of art and a replica not only of the prehistoric paintings but also the cave structure, lighting, climate, etc. The main difference is that the replica paintings are on a different surface when compared to the original and therefore should not be attacked by fungi or mold. The guided visit was only available in French since I went in the low season but the guide spoke slowly and described every single outline and drawing using a torch to indicate the painting she was describing. The painted gallery is really mind-boggling and is best viewed sitting or crouching down in the middle of the replica cave. That way I could really appreciate the great detail and point of view our prehistoric ancestors were capable of rendering. Although photography (even without flash) and filming is not allowed in all the sites I visited in the Vézère Valley, I still took my camera with me to try my luck in the main plate of my visit near Montignac, which definitely deserves to be inscribed for its OUV. Since I was the last one to try to exit from the replica cave and had to wait with the guide for a couple of minutes for the heavy rain to stop before exiting the cave, and after answering all my questions in detail, my guide asked me where I came from. I replied that I'm from Malta and after hinting at where that is on the globe, I tried my luck and asked her if it was possible to take a quick photo (without flash) of the cave to treasure when I return to my distant homeland. I was surprised that it worked and before she could think twice, I took some photos in quick succession in 2-3 seconds. I wasn't expecting much out of my attempt, but I was pleasantly surprised when I checked out my photos on my computer and I must say I'm more than happy :) The overall experience was very rewarding although quite expensive and to me it's one of the best WHS in France.
John booth New Zealand 08.05.10
To visit this site I travelled by train to Les Eyzies de Tyack where I visited an informative Pre-history museum. But earlier in the day I had located the Font de Gaume, a series of caves high on a cliff. I managed to get on the first tour of the day when during an hour long tour the guide showed us spectacular paintings of many different animals, but mostly bison and reindeer.
I had wanted to reach the Lascaux caves, but there is an absence of transport in that part of the valley.
David Berlanda Italy / Czech Republic 21.02.06
In our trip to France we have visited four prehistoric sites but I was very disappointed by the fact that most of them were accessible only on booking or were closed. The valley, long 40 km and large 30 km, contain 147 sites and 25 decorated caves (15 are WHS). First we have been to the shelter of Cap Blanc, located in the lateral Beune valley, near Marquay. There are high-relieves of two bisons, horses and reindeer in a limestone cliff, also longer than 2 m, made by reindeer hunters more than 15000 years ago, and a human burial place. The cave of Rouffignac (or Cro-de-Granville), that was already known and described in the 16th century, is situated on a lateral valley along a tributary of the Vézère and has over 8 km of galleries. There were discovered in 1956 engravings and black-outlined paintings, especially in the Breuil gallery: 160 mammoths, 11 bisons, 11 goats, 9 horses, 7 rhinoceros, 1 bear and many other pictures. We have also seen, near Les-Eyzies-de-Tayac the deposit of Laugerie Basse, in a place called 'Les Marseilles', where were found many implements from the reindeer age and a cross-section shows stratified tiers of excavated human remains, and the Grand Roc, a cave with 40 km of passages leading to small chambers that contain stalactites and stalagmites.
The cave of Rouffignac and the shelter of Cap Blanc are two of the most beautiful places I have ever seen, because of the beauty and antiquity of the prehistoric paintings and sculptures, that I have seen here for the first and only time. But I was quite disappointed by the shelter of Laugerie Basse and the cave Grand Roc, that are more natural that cultural places. I didn't like also the fact that many of the other prehistoric places are visitable only on booking of guided tours and that if you go at La Magdaleine you can see only the medieval troglodytic village and not the nearby famous prehistoric site, that I wanted to see. The sites are absolutely worth to be visited because they are the most beautiful prehistoric places in the world and justify the inscription, also because there aren't many prehistoric sites inscribed on the WHL, even if some prehistoric places of the valley could be excuded from the WHL and others included.
Photo: Les-Eyzies-de-Tayac - Shelter of Laugerie Basse
Share your experiences!
Have you been to Vézère Valley? Add your own review!
Full name: Decorated Grottoes of the Vézère Valley
Unesco ID: 85
Criteria: 1 3
- 2006 - Name change From "Decorated Grottoes of the Vézère Valley" to "Prehistoric Sites and Decorated Caves of the Vézère Valley"
- 1979 - Inscribed
The site has 15 locations. Show all
- Vézère Valley: Abri de Cro-Magnon Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: Abri du Poisson Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: Cro de Granville (cro de Rouffignac) Rouffignac-Saint-Cernin-de-Reilhac, Dordogne, Aquitaine, France
- Vézère Valley: Font de Gaume Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: La Madeleine Tursac, Dordogne, Aquitaine, France
- Vézère Valley: La Micoque Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: La Mouthe Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: Lascaux Montignac, Dordogne, Aquitaine, France
- Vézère Valley: Laugerie basse Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: Laugerie haute Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: Le Cap Blanc Marquay, Dordogne, Aquitaine, France
- Vézère Valley: Le Grand Roc Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: Le Moustier Saint-Léon-sur-Vézère, Dordogne, Aquitaine, France
- Vézère Valley: Les Combarelles Les Eyzies-de-Tayac-Sireuil, Dordogne, Aquitaine, France
- Vézère Valley: Roc de Saint-Cirq Saint-Cirq, Dordogne, Aquitaine, France
The site has 15 connections. Show all
World Heritage Process
77 community members have visited Vézère Valley. Show all
- A. Mehmet Haksever
- Atila Ege
- Bob Parda
- Bob pateman
- Bodil Ankerly
- Brigitte Huber
- Caspar Dechmann
- Christian Wagner
- Dani Cyr
- Daniela Hohmann
- David Berlanda
- Doug Robertson
- Enrique Clemente
- Erik Jelinek
- Errol Neo
- Frederik Dawson
- Hannes Muehlbacher
- Harald T.
- I&W Rohde
- Iain Jackson
- Inigo Cia
- Jarek Pokrzywnicki
- Jean Lecaillon
- Jean-Philippe Platroz
- John booth
- Jonas Kremer
- Jose Antonio Collar
- Julianna Lees
- Keith Johnson
- Klaus Freisinger
- Leontine Helleman
- Marie Morlon
- Michael Rohde
- Miriam laschever
- Nathalie Goldberg
- Nihal Ege
- Nikolay Marinov
- Pascal Cauliez
- Paul Schofield
- Philipp Peterer
- Roman Koeln
- Sergio Arjona
- Shijie ZHU
- Szucs Tamas
- Thomas Buechler
- Thomas van der Walt
- Tom Livesey
- Vanessa Buechler
- WILLIAM RICH
- Walter H.
- Wang Qin
- Werner Huber
- Widy Heuver
- Wojciech Fedoruk
- Wolfgang Hlousa